Peter by Bernini in the Vatican, for example, right? Most often we associate the Baroque with huge, interdisciplinary art projects that included sculptures, wall treatments and paintings conceived together like stage design. 1793, by Corneille van Clève (1646-1732), cast in France These are so precious and petite. Here, Hess speaks with 1stdibs’ Marlena Donohue.īacchus and Ariadne, ca. In the baroque, every straight line is a tendril, every surface is gilded, the emotional temperature high enough to capture the faithful with art felt as much in the body as in the soul.Īccording to Catherine Hess, chief curator of European art at the Huntington Art Collections and the organizer of the exhibition’s California iteration, whatever passions attracted Marino to this work, business tycoon Henry Huntington felt a similar draw some 100 years earlier. Rather than tone down the luxury, the astute ad men of the Counter Reformation pushed the elegance of Rome over the top. Add to that the odder-still roots of baroque art: Protesting papal excess, selling of pardons, pagan images, Martin Luther said quiet humility got God’s attention. Several points of note collide seductively here: the leather-clad, tattooed Marino the barely checked erotic kinkiness of many of the bronzes he’s gathered the prim Henry Huntington, who founded the institution that’s now agreed to put them on public view. Bronze images courtesy of the Peter Marino Collection Laocoön, 17th century, likely cast in Italy. To get a sense of why Marino would be drawn to objects such as these, one could look at his Meadows Collection Retail Centre, a luxury shopping mall in Calgary, Canada, that fuses high-modern lines and Rococo whimsy with pretty audacious design wisdom that’s hard even for purists to assail. The work is culled from the personal holdings of New York architect Peter Marino, who got his start as Andy Warhol‘s designer but may be best known today as the visionary behind international flagship stores for Dior, Chanel, Louis Vuitton and the like. The show comprises 28 museum-quality examples of Baroque bronzes, all executed in an intimate maison elite scale of about six inches to two feet and created between 15. Baroque art is built on similarly luscious opulence mixed with the Renaissance’s idealized figures - think classical art on holiday in sun-drenched Malta where no one is watching.Īnd art lovers are certainly basking in “Beauty and Power: Renaissance and Baroque Bronzes from the Peter Marino Collection,” which is visiting the Huntington Art Collections, in San Marino, California, through January 24, 2010, after opening at the Wallace Collection, in London. The word “ baroque” comes from the Italian word for one of those gorgeous misshaped pearls that refuses nature’s perfect symmetry and instead goes a bit wild, building a calcareous shiny surface that’s dramatic and over-encrusted. Photo by Douglas Friedman, top photo by Manolo Yllera November 2010In addition to being an accomplished architect, Peter Marino is a passionate collector of intimately scaled bronzes sculptures.
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